Thirteen Ways to Know my Grandfather
1
A dream: Driving an old Holden
down a gravel road. The speedo wanders
as I feel for second gear and slow for a bend and river causeway.
I sense something moving behind me—
a pair of disembodied hands are reaching over the bench seat.
I feel no fear.
They’re farmer’s hands, calloused and square in shape like mine.
When I wake I know these spectral hands belong to my grandfather,
and they intend to choke me.
2
He was a lean and wary man, trimmed the fat from his meat
before it was fashion. A soldier settler, his block assigned by lottery, lay
among the locks and canals— the Murrumbidgee pumped for irrigation—
a river running placid in a grid.
He cleared his allotment of black box woodland, planted nectarines and apricots,
rows of riesling grapes, and cling peaches for canning. I remember
the heft of a rock melon lifted from the field,
its scent earthy, sweet,
and firm at its umbilical star. How could I resist?
A fresh melon is still my favourite.
3
A game he’d play indoors:
Take hold of your big toe below the knuckle with a pincer grip
between thumb and forefinger, then bit by bit he’d apply iron pressure.
Where was our threshold?
He’d watch us intently and always hold on
past the first cry of pain. What I saw in his eyes was terrifying,
an absence.
4
In the farm shed there were tools to repair
just about anything. He could grind the valves of the grey Ferguson tractor,
or replace the bearings at its heart.
In the tall-cool, on a packed dirt floor darkened
with diesel and sump oil, he showed me and my brother—two small boys standing
up to the work bench and its well oiled vice,
each on his own upended fruit crate—the difference between a rip saw
and a cross-cut. Now when I work timber, I know
how to make the saw sing, have its teeth work hardest as I pull them back
toward me; just like he showed me.
One December, with his guidance,
my brother and I made pine trinket boxes
with a lid and brass hinges. I can see my edition painted in black and white
lying open on my mother’s dressing table, a younger her
busy before the mirror, and jewellery—beaded necklaces, earrings and bracelets—
spilling from the small casket of which I was proud.
Last Christmas my brother
told me that I told him— “Don’t go in the corner with G’pa.” I believe him, and yet,
I don’t remember anything.
5
When it came time to kiss him goodbye she refused
his arms. How does a child of nine
find the words, and if she tried to explain would she be believed? I see
the family waiting—she takes a breath in, steps out of her body
and crosses no-man’s land.
Child or not, she understood
well enough the treatment given to those who desert.
After twenty years she remembered, but even now I can’t tell you if
she’s found her way back to the full beam of light she was in 1967.
6
My grandfather left the others lounging
on the rail siding, and went in search of a moment’s respite,
and what passed for a cup of coffee behind the front. He heard the scream, a bomb
falling in the distance, falling where he’d come from. He found
no part of his friend among the bodies of the fifty men in his rifle company, who
had set themselves down to rest. Only Darkie’s pocket-book, encased
by steel remained, a hole in its middle where a piece of shrapnel lodged—
this fragment a keepsake.
Decades later, an unwarranted survivor, my grandfather lay dying
in hospital. The last words he uttered were—He must be somewhere...
7
He returned from the war and turned twenty one.
He was exploding, spinning through time
and space.
Few in our family escaped his obsession with the unsullied, a clear-eyed
pursuit of those still in possession of their angelic selves.
8
When he came to stay at our home, me and my brother
and our baby sister, would gather on the end of his bed. He’d tell us
stories of the war; events that never left him.
With each re-telling he seemed to say,
I was there, I survived and can’t work out why. As if drawn by gravity,
we sensed the power of our witness, that somehow the dignity of youth might reverse
a stellar collapse.
9
When he sold the farm and moved to the outer
suburbs north of Sydney,
my mother believed him retired.
Now she understands, even if he happened to be a dead star, his hunger
for the young in his orbit was undiminished.
10
He must have known she knew—the wry smile
when she told him no. A crack shot with a rifle, he rarely
missed his mark.
On a trip to town, he stopped the black Holden
by the dead water of an irrigation canal, and asked her friend to climb over and ride
up front with him. My mother found his eye in the rear-view—
“She will not be sitting beside you.”
No matter how fierce the resistance—always the haunting.
11
The thousand yard stare: unmistakable in the Kodak slides
shot at my parent’s wedding— taken outside a sandstone church, under a sky
so blue it’s violet. His face is the one with a hammered
metal finish.
When you’re a child, it’s not possible to live long beneath
such unsmiling, before anxiety—of a kind that can’t be spoken—occupies the body,
and little by little, disfigures. My mother learned to redact.
This year when I drove her north for Christmas,
we overtook a line of cars with a thrilling burst of speed, and she laughed
long; a full-bellied laugh.
And laughing with her, I better understood
how she fought; how she stayed alive.
12
At sun up, we’d go with him into the paddocks, wood-smoke
from the farmhouse trailing over the fruit trees
and eucalypts down the fence line. In the cool morning air we’d pluck mushrooms
fresh with earth and wet with dew. The scent of red-gum smoke
from the kitchen fire-box;
an indelible line of desire across the furrows of my cortex.
The flavour of mushrooms, like the smell of beer,
and too many other things in this world, offend the young. It takes time,
but you adapt. You learn to accept what once was foul.
13
Bombed and gassed in France,
he was not one to comply with the policies
of those in power. An unconventional farmer with a Calvinist bent, not by faith
but by inclination.
A prophet of doom, he mistrusted excess, insisted
the flood irrigation employed by his neighbours would soon sterilise the riverland soils;
groundwater rising and bringing with it salt. He watered his trees sparingly.
If he knew about power, those of us who were part of his farm kingdom
did not; we failed to grasp what he intended for his subjects.
What brilliant pretenders; he relied on us
to be swift of mind.
We were the morning sun
glancing off the many faces of a still, dark mountain; our percipience
bound by what we could bear.
Winner of the Local Prize Newcastle Poetry Prize 2019, to be published in What’s Left ASM