When Night is the Mother of Wisdom
“...ours is not an age of mystics...the erection of the (Gothic) cathedrals was the last wild
stride European man made before falling back into the confines of his intellect.” Barry Lopez.
Long before first light
a magpie wakes me, sings a song
fragment, pauses, then repeats it.
She mesmerises with her plaintive, yet,
determined
melody, carries its sweet
sorrow into my waking and into my sleeping,
until I can barely tell
one from the other. Perhaps another
bird answers. I listen hard, and
hear nothing, only night in its vastness,
and a sense
that darkness grants
her pre-eminence, that she sings for the rocks
in the long arc of their
listening, for trees in their standing,
for the animals and birds; that she's
an emissary for all that's sentient and more
than human.
Sometime later, I dream
a narrow track through a blue-gum forest; everything
is wet and smells of rain.
Ankle-deep in mud and weary
at the thought of the heavy trail
ahead, the unclouded song of a magpie
lifts the gloom
that weighs me down.
I recognise her chant; as in my waking hours, it goes
on and on. As sometimes
happens in a dream, I'm gifted
flight, and rise without effort
to a branch that's a spar to a mast.
Seven birds—
all pied—perch along
it; but one alone intones. She's lord of the birds,
and those beside her stare
straight ahead; they breathe in
time, as if they too, were in
voice. I'm but a wing span away,
and yet,
they allow me to stay
in their company, to be a novice chorister too.
First light arrives and wakes
me again. The magpie,
still in song, is distant now.
Daylight breaks and I hear no more
from her.
I lie a while in bed
and think of birds, of how halfway through nesting
last season, this magpie
and her mate—who often visit
the slender limbs of the spotted gum
in my yard, and carol as I hang the washing—
lost their home—
a penthouse—
when the Norfolk pine next door was taken down.
Last night I dreamt
she sang of loss—as she did well
into the evening of that day the giant
pine was rendered like a whale on the deck
of a factory ship—
and of hope,
that a human cradled by sweet darkness—
dreaming a blue-gum
cathedral which climbs an endless
milky sky—will trust the birds
to know the rites that might return
a lapsed
member to his place
in the family of things; to live as he dreams, again.
Notes:
“...ours is not an age...” - Barry Lopez, Chapter 6, Ice and Light from Arctic Dreams, 2001, p250
“sweet darkness” - the title of a poem by David Whyte, from his collection House of Belonging.
“...place in the family of things” - from Mary Oliver's poem Wild Geese.